That accounts for half of Singles 1968-1971. pressing, but that's not available here) - and that LP is more commonly associated with the Stones' '70s albums for their own label, not their '60s work, so even if historically they were part of the London years, they don't quite feel like the end of this chapter rather, they feel like the beginning of the next. After that, there were two singles pulled from the 1971 album Sticky Fingers - "Brown Sugar" and "Wild Horses," both backed by album tracks (the former had a live version of Chuck Berry's "Let It Rock" on a U.K. The aforementioned trio are the group's last singles of the '60s, with the latter two being the last two singles the band conceived as stand-alone 45s. Instead, the problem is that the nine singles collected here are a bit of a hodgepodge. But that has little to do with either the music - some of the Stones' very best is here, including "Street Fighting Man," "Honky Tonk Women," and "Jumpin' Jack Flash," all viable contenders for the greatest rock & roll single ever - or the packaging, which is every bit as lavish and loving as the first two installments.
#Basketball music in jumpin jack flash movie series#
If the final installment of ABKCO's series of box sets containing CD replicas of the Rolling Stones' original singles for Decca and London during the '60s seems not quite as impressive as the first two, there's a reason for it: it's not.
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